• Lab
  • AndroidForMobile Foundation at
    HOME
              
    LATEST STORY
    Village Media, relying on local advertisers, seems to have found a scalable (and profitable) local news model
    ABOUT                    SUBSCRIBE
    Feb. 24, 2011, 1:30 p.m.

    Metro after midnight: How The Washington Post tapped night owls to make a transportation story social

    There are many types of stories that are universal to newspapers around the country — and “public transit in danger due to budget cuts” is probably somewhere high on the list. The trick, as any good editor or reporter knows, is making the story interesting and compelling to readers, to relate it to their lives and make it worth spending more than five minutes to read.

    In that measure, The Washington Post has succeeded with its series, a chronicling two nights in the life of the train network. More than a series of strung-together “how the man on the street feels” comments, Metro After Midnight was an experiment in deploying new newsroom tools to create a narrative, using comments as cues for reporting, curating Twitter reactions and photos, and packaging the whole affair (online, at least) using . In the world of newspapers, it’s not atypical to put together a feature package in a matter of days, but Metro After Midnight is a case study of new media in action — not for the big, blow-out stories or events, but for the regular, week-to-week coverage that newspapers are typically consumed with.

    “We really wanted to have a sense of what it felt like to be out there,” Story Lab editor told me. “Everyone in the area knows the Metro system really well, but they don’t know what it’s like at those hours.”

    It all started with a blog post on the that outlined plans to close the Metro at 12 am on weekends. A poll asking whether late night Metro service was essential got a response from more than 1,500 readers, many in favor of keeping late-night service. The outpouring continued in the comments and on Twitter as readers mixed .

    Clearly there was a story to be mined, but Fisher said they didn’t want to go down the typical route of quotes and anecdotes. It was the type of story that demanded scene-setting and characters, and a reporting effort that required the ESP to be at the right place at the right time to watch things unfold. It was also a story that could be loaded with reader-submitted content.

    “My instructions to reporters were to make it a very observed piece, follow people as they move through the system, from bar to train and home,” Fisher said.

    Over the nights of February 12 and 13, four reporters, a photographer, and videographer fanned out across the Metro system — just around the time the bars and clubs were filling up. Fisher said they needed Twitter users to act as spotters, to locate which stations and train lines were the busiest. Reporters , finding riders coming into the city from Virginia and Maryland, and those desperate to get back late at night. (And in one special case, .)

    Along with , reporters used the feed to paint a picture of late-night life on the Metro. While not always real-time, the blog was updated over the course of the weekend and attracted what Fisher calls “not insignificant” traffic to the site.

    In a way, the blog posts (close to 400 inches of copy) and Tweets were the type of notebook entries that typically feed a larger story package, and in this case they did, landing on the (along with a accompanying the story online). But Fisher said Story Lab’s ethos is to lay bare how reporting works and experiment with the conventions and tools of storytelling. That was one of the reasons the team used .

    “It’s like a chemistry lab: You’ve got to figure out the right mix of media to use both to attract folks and let them tell their stories in the most useful way,” Fisher said.

    The Story Lab process is also about learning what works and what doesn’t, and in this case Fisher said one lesson is that quality matters when getting a response to a call-out to readers. When dealing with social media or reader-generated material, the focus can be on volume, how many comments, tweets, pics, and likes a call-out garners. Fisher said the team got a smaller response, but one that offered a good variety of reactions and helped guide its reporting. “It was more useful than it was cacophonous in the stampede of eyeballs to this particular call-out,” he said.

    By resources and reach alone, The Post is obviously on a different scale than many newspapers in the US. But the mission of the Story Lab is likely one that many news organizations can identify with, attempting to find the combination of new and old media, traditional reporting and social tools, all in the service of providing readers with information they need.

    “The whole philosophy of Story Lab is to open up the whole reporting process from the conception of an idea to the fully polished print and web version of a story,” Fisher said.

    Image by used under a Creative Commons license

    POSTED     Feb. 24, 2011, 1:30 p.m.
    SHARE THIS STORY
       
    Show comments  
    Show tags
     
    Join the 45,000 who get the freshest future-of-journalism news in our daily email.
    Village Media, relying on local advertisers, seems to have found a scalable (and profitable) local news model
    “We have to find new and creative ways to not replace a client’s Google and Facebook spend but find our own portion of it.”
    Three years in, Discourse Media looks to membership to power its national expansion
    The Canadian news industry “has been in a long, slow, painful decline, and people are ready for solutions and to see something new.”
    Bad news from Mashable, BuzzFeed, and Vice shows times are rough for ad-supported digital media
    The rapid growth of Google and Facebook continues to take its toll on digital media companies.